After last week’s better-than-average adventure down on a nuclear submarine, Primeval ventures out of its comfort zone once again, as Matt finds himself travelling back to Victorian London to track down a loose raptor.
So, here we go, into the fourth year. We’ve had psycho killers, demi-gods, religious nutters, mad kings… What do we face now?
I would like to make it publicly known that I am now in love with Martha Costello (Maxine Peake), the lead character from tense, tense legal drama Silk.
Charting every one of the Dark Knight’s appearances on film and TV, author Gary Collinson is a man who seems to know Batman better than Alfred the butler does.
It’s all about revelations, rediscoveries and dirty secrets in Brightmoor this week, as new resident Scott (musical theatre star Lee Mead) moves into the former Bedlam Heights.
Hit & Miss ends not with a bang but a series of question marks that stretch off into the distance like a row of pylons across a barren moorland landscape.
There’s a pleasing sense of unease that sits with you while watching Line of Duty. Pleasing, because it means that Jed Mercurio’s five-part drama is accomplishing the atmosphere it’s trying to create: an authentic world that bleeds further mistrust with every click of the mouse and every knock on a door. It’s an excellent start … >
Christopher Eccleston takes an essentially unlikeable, self-centred failure of a character and gives him enough depth to evoke a powerful mixture of contempt and sympathy.
Bert and Dickie is a very British affair, exploring the stilted and unemotional relationship between father and son.
Lovingly crafted, this Agents’ Technical Manual covers all the major elements of the show from Tracey Island itself through to all the major Thunderbird machines.