‘Hit & Miss’: Episode 6 review
Hit & Miss ends not with a bang but a series of question marks that stretch off into the distance like a row of pylons across a barren moorland landscape.
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Hit & Miss ends not with a bang but a series of question marks that stretch off into the distance like a row of pylons across a barren moorland landscape.
There’s a pleasing sense of unease that sits with you while watching Line of Duty. Pleasing, because it means that Jed Mercurio’s five-part drama is accomplishing the atmosphere it’s trying to create: an authentic world that bleeds further mistrust with every click of the mouse and every knock on a door. It’s an excellent start … >
Christopher Eccleston takes an essentially unlikeable, self-centred failure of a character and gives him enough depth to evoke a powerful mixture of contempt and sympathy.
Bert and Dickie is a very British affair, exploring the stilted and unemotional relationship between father and son.
Lovingly crafted, this Agents’ Technical Manual covers all the major elements of the show from Tracey Island itself through to all the major Thunderbird machines.
While Primeval has rarely been the most adventurous of shows (curious, given its premise), it does at least attempt to liven things up by often presenting our team of dino-hunters with an anomaly in new and exciting locations.
For a film so blatantly designed to be provocative, Bradley Parker’s The Chernobyl Diaries is a shockingly dull affair.
Dexter villains just get wilder and wilder, with Season 6 unleashing a pair of Apocalypse-fixated nuts on the hapless city of Miami.
It’s difficult for a British audience not to try and draw comparisons with The Thick of It, particularly as its visual style is so immediately familiar.
All of the female characters, including the usually strong Ellie, seem to have been reduced to mere sexual playthings and bit-parts as the men take centre stage in a bland and disappointing episode.