While Primeval has rarely been the most adventurous of shows (curious, given its premise), it does at least attempt to liven things up by often presenting our team of dino-hunters with an anomaly in new and exciting locations.
For a film so blatantly designed to be provocative, Bradley Parker’s The Chernobyl Diaries is a shockingly dull affair.
Dexter villains just get wilder and wilder, with Season 6 unleashing a pair of Apocalypse-fixated nuts on the hapless city of Miami.
It’s difficult for a British audience not to try and draw comparisons with The Thick of It, particularly as its visual style is so immediately familiar.
All of the female characters, including the usually strong Ellie, seem to have been reduced to mere sexual playthings and bit-parts as the men take centre stage in a bland and disappointing episode.
The Jody Farr case reaches its highly anticipated climax in this final clash of swords between Britain’s legal masterminds.
Dominic Savage’s series of semi-connected, partially-improvised dramas continues with an appearance by Doctor Who star Billie Piper as a teacher who falls in love with one of her pupils.
One of the greatest strengths of Hit & Miss has been its use of imagery and music – and frequently, the juxtaposition between the two.
One of the most frequently dramatised novels of all time, this adaptation seeks to take a more gritty and realistic tone.
The action is so po-faced and the themes so familiar from other, better Pertwee stories that it’s hard to care.