‘Sinbad’: Episode 8 review
With the series so far being centred almost entirely around Sinbad and his troubles, this week’s episode switches the focus into Anwar.
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With the series so far being centred almost entirely around Sinbad and his troubles, this week’s episode switches the focus into Anwar.
The writing of this episode is even sharper than last week’s opener, and we are left in no doubt of Whitehall’s satirical intent.
Stoner detective sitcom series Bored to Death returns for a second season and starts off at the canter that the first season culminated in.
With the likes of Batman, the Avengers and a young web-slinger all making an appearance, this summer’s glut of big-budget Hollywood blockbusters isn’t short of a hero or two.
The technical skill involved is breathtaking, displaying what was undoubtedly Doctor Who‘s best effects work and set design to date.
With the Olympics a sweaty memory, the BBC wheels out the gold medal acting talent to squeeze Parade’s End into five digestible episodes.
Now a premise of Sinbad returning to Basra to save his grandmother and confront Akbari and Taryn would be suitable for a season finale, wouldn’t it?
Whitehall’s writing doesn’t just play with the education debate – it eviscerates it and irreverently plays with the remains.
Asylum of the Daleks is a promising start to the new series and a confident restatement of the series’ direction in the wake of the events of The Wedding of River Song.
Based on a screenplay developed by J. J. Abrams and Jonathan Nolan, Person of Interest aspires to be complex, but ultimately fails to be so.