‘Killer Joe’ review
Killer Joe is on the comical end of the crime-drama spectrum. That said, comedy doesn’t get much blacker than it does here.
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Killer Joe is on the comical end of the crime-drama spectrum. That said, comedy doesn’t get much blacker than it does here.
Hit & Miss has proved itself to be not only an engrossing thriller with a transgender twist, but a very human story of struggle, of families, of love.
An intriguing opening and a surprising finale cannot quite save The Pact from the tacky realms of ‘70s shlock horror.
You can deliberate over whether Rock of Ages is paying tribute to or poking fun at the music featured. But to do so would be to over analyse.
Already nicknamed ‘Sprint it like Beckham’ in some quarters, this is one British feel-good film we can all rally around even if we don’t do well in the Olympics this summer.
The engrossing emotional honesty of Tennant, McClure and Froggatt make this opening instalment of True Love well worth watching.
With Series 1 ending on such an explosive note, the opening episode of Bedlam’s second series had to impress.
Hit & Miss continues to beguile, maintaining the fine balance between domestic angst, rustic visual poetry and unflinchingly bloody violence.
Billy’s spidery political network extends further this week as he attempts to handle the impending transfer of CW into Shoe Lane.
The Sarah Jane Adventures popped up and showed that there was life in the old (tin) dog yet. Quality television aimed at children. And Horrible Histories is just that.