‘Agatha Christie’s Poirot’: ‘The Clocks’ review
The Clocks is standard convoluted Christie fare under the auspices of ITV: a period police procedural with hints of political intrigue and a romantic twist.
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The Clocks is standard convoluted Christie fare under the auspices of ITV: a period police procedural with hints of political intrigue and a romantic twist.
Downton is back – not just on our TV screens, at a time of year most suited to country house sagas; but, more particularly, back to the kind of form it showed in Series 1.
After 2010’s superb but curiously adult A Christmas Carol – in spite of the presence of the young Kazran and a giant flying shark, it was very much the story of a bitter old man’s redemption and his love for a beautiful young woman frozen metaphorically and literally in time – Doctor Who’s festive special … >
Despite a feast of action, the tension built well and the episode was thoroughly involving, backed by an emotional score.
With a definite shift to a darker tone, the destiny of Camelot now rests on the shoulders of a young man, as Merlin appears to have grown up.
With such a commendable third addition to the brilliant This is England story, it’s no surprise that far more than fistful of fans are rooting for a forth.
The five exclusive Night and the Doctor mini-episodes showcase Steven Moffat’s trademark wit, interest in the non-linear complexities of time travel and way with a cheeky one-liner.
You can’t help but smile. It’s The Doctor. At Christmas. Just sit back with your selection box and watch him shine.
Your brain is empty when it comes round to thinking of what to give your Auntie Linda this Christmas, until it finally strikes you: Kill List is the ideal yuletide treat for a loved one.
By the Nazi-killing, zombie-bashing high standards of Series 3 it’s a rather low-key finale, and against the previous 7 episodes feels just a bit underwhelming.