‘Sherlock’: Series 1 soundtrack album review
Sherlock could strangle a tune out of the violin, but what would the updated detective make of composers David Arnold and Michael Price’s soundtrack to his adventures?
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Sherlock could strangle a tune out of the violin, but what would the updated detective make of composers David Arnold and Michael Price’s soundtrack to his adventures?
With Eternal Law’s third episode, the script writers playfully tackle such earthy subjects as angelic sex drive and sexual performance.
As Amy Pond she travelled across all of Time and Space, as supermodel Jean Shrimpton she’s off to New York. But is We’ll Take Manhattan a good start for a post-Who Karen Gillan?
The Reichenbach Fall is not just magnificent, not just the best episode of the series (and thus the best of the show so far) and not just most likely the best thing you’ll see on the telly this year.
Although The Sensorites is almost three hours of slow-moving, black-and-white episodes light years from the colourful, lightning-paced contemporary incarnation of Doctor Who, the essential tenets are still in place.
Hustle made a solid gold return to our screens tonight with the series premiere of its eighth and (for now) final run, and what a 24-karat show it was!
The boys are back in town! And by boys, I mean “men” and by town, I mean “Majorca”.
As is always the case with this type of programme – Tales Of The Unexpected, for instance, or the grand-daddy The Twilight Zone – the quality is somewhat uneven.
Eternal Law remains a well-acted, enjoyable show, even if the idea of angels coming to earth and working as lawyers hasn’t yet been explored as intricately as it could be.
Because it was made in the early 1960s, and because it involves a number of the same creative talents, City Beneath the Sea is often described as a forerunner of Doctor Who