‘Titanic’: Episode 3 review
We’ve had three instalments of ITV’s Titanic now and scriptwriter Fellowes’ looping-back narrative is starting to feel ever so slightly tired.
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We’ve had three instalments of ITV’s Titanic now and scriptwriter Fellowes’ looping-back narrative is starting to feel ever so slightly tired.
It’s the episode that drives forward the final section of the series, picking up from last week’s summer vacation with a fresh burst of pace.
Maria was sent to bed early last week, leaving 14 candidates to continue battling it out in the corporate Hunger Games that is The Apprentice.
This penultimate episode puts increasing pressure on the finale to deliver both climactic conclusions for the various erratic story lines and a sufficiently cathartic end to satisfy viewers.
As a reintroduction to such a sprawling, complex series, this is pretty near perfect.
In the second instalment of ITV1’s Titanic mini-series it’s the turn of money rather than sexual morality to take centre stage.
The genius of Homeland is that we genuinely don’t know who to trust. Every character that might be telling porkies has a compelling explanation for their suspicious behaviour.
Perhaps consciously striving to avoid Lost-style confusion, the script is still somewhat simplistic, which sometimes means that it ends up working against itself.
After Bilyana’s booting from the boardroom last week, 15 candidates remain. But it’s not all flogging printed tat to tourists, oh no.
Julian Fellowes ties his characters’ stories to that of the doomed ship, giving this opening episode an almost tidal sense of unity with its complex relationships.