‘Hit & Miss’: Episode 3 review
Hit & Miss continues to beguile, maintaining the fine balance between domestic angst, rustic visual poetry and unflinchingly bloody violence.
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Hit & Miss continues to beguile, maintaining the fine balance between domestic angst, rustic visual poetry and unflinchingly bloody violence.
Billy’s spidery political network extends further this week as he attempts to handle the impending transfer of CW into Shoe Lane.
The Sarah Jane Adventures popped up and showed that there was life in the old (tin) dog yet. Quality television aimed at children. And Horrible Histories is just that.
You probably thought this regular horror blog would be one of the very few places to retreat from the flag-waving of the Diamond Jubilee bank holiday weekend, right?
There are a lot of ideas and flourishes floating around in Prometheus – too many, in all honesty – and as a result the film lacks focus at times.
Treme continues to be a surprisingly optimistic, stunningly realized love-letter to a stricken city.
This series has been far from as strong as previous years, thanks to a group of ‘cut out and keep’ candidates more suited to a stationery cupboard than a spotlight.
The Battle of the Blackwater is one of the biggest events in the series. Would a TV show be able to translate such an epic onto the small screen?
Episode 3 sees Clive’s white ribbon brief return him to the world of halls, gowns and jumped up drinking societies that is Oxford.
Featuring work from some of the best of British filmmaking talent, this new anthology is a mixed but thoughtful collection of engrossing examples of gay cinema in the UK.