Well, that was ballsy, wasn’t it? Not just the death of would-be King Renly Baratheon, but the decision to place such a shocking and unexpected event at the very opening of this fifth episode.
Fear not though, viewers! Lord Sugar and his eager entrepreneurs are here to kick-start the economy with… fake tan and clockwork insects?
Crunched skulls, blood splatters and dirty jokes abound in Cuba’s first ever zom-com.
Glee has been coasting on camp and lightly entertaining for a while now, so it’s a pleasant surprise to see the show’s return to poignancy.
We think we’re closer to solving one major mystery of this series, namely, why we’re not enjoying it nearly as much as we think we should be.
Ironically, given its foundation in numerical sequences, Touch leads with the heart rather than the head.
Set in the world of corporate law, Suits is a smart and stylish American import that has been doing the numbers for Dave.
One thing that Homeland viewers have learned over the last few months is that the unexpected comes as standard. With one show left to go, anything is still possible.
It’s hard to think of a Doctor Who story that more conspicuously exposes the limitations of an all-studio production than 1987’s Dragonfire.
That Jason Isaacs mostly succeeds in making the humourless and hurting Britten enjoyable and engrossing is testament to his quality as an actor and innate congeniality.