‘Touch’: ‘Lost and Found’ review
Even when its intricately interwoven storylines don’t all untangle themselves into happy endings, there remains something wonderfully life-affirming about Touch.
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Even when its intricately interwoven storylines don’t all untangle themselves into happy endings, there remains something wonderfully life-affirming about Touch.
A Welshman directing a foreign language Die Hard in Indonesia… really? This is the question most people will be asking before watching this film.
Garden of Bones is perhaps one of the darkest episodes that Game of Thrones has produced yet, and the darkest moment comes right at the end.
The gruesome aftermath of the bombing, all flaming corpses and limbless survivors, is gorily well-realised, but the moment that lingers longest in the memory is much more modest.
From September 1938 to the outbreak of WWII, the second series of Upstairs Downstairs was always destined to labour under an all-pervading sense of the gathering doom.
The competition to be Glasgow’s most fucked up inhabitant is on and self-sabotage seems to be the weapon of choice.
And so, it’s here. The Avengers have finally assembled. Has it been worth the wait? Emphatically; YES.
Amstell is a remarkably interesting comic, if only for his great desire to expose the absolute truth – not only to cut to the bone, but very much past the bone.
After wallowing in the background, with little but a half-hearted love interest storyline to show for this entire season, it is great to see more of Amber Riley’s Mercedes.
One can only assume that ITV1’s Titanic was scripted in-between sips of a G&T on the Downton Abbey set.