‘Pan Am’: Season 1 Episode 1 review
Leaning heavily on the Steven Spielberg movie Catch Me If You Can for its visual capturing of the early 1960s, Pan Am follows the lives of four air hostesses working for the titular airline.
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Leaning heavily on the Steven Spielberg movie Catch Me If You Can for its visual capturing of the early 1960s, Pan Am follows the lives of four air hostesses working for the titular airline.
Trapped in the mother of all causal loops, Simon is calmly facing his SuperHoodie destiny, but it’s a road paved with oddballs. Oddballs like Peter.
Viewed purely as a drama, this six-part serial for children filmed entirely on location in London in 1968 is risible as best. As a document of a halcyon time now long past, it’s enthralling.
After the events of A Servant of Two Masters, resulting in a confrontation with ‘old Merlin’, Morgana now fears her mortal enemy more than ever.
‘It’s like a drug,’ Rick remarks to Shane this week. He’s talking about nostalgia, but he could easily be referring to The Walking Dead.
For many of us, Torchwood: Miracle Day was a disappointment. Too baggy and too sprawling a journey of ten weeks, it felt like a drunken meander through various high-octane scenarios. And, like many a drunken meander, it began with ill-judged certainty, became directionless before leading to violence, then ultimately left us scratching our heads, questioning … >
The most successful of Irwin Allen’s 1960s television sci-fi series takes a bow on DVD as this final season of underwater escapades bids a fond, if undignified farewell.
In what’s probably Sigmund Freud’s favourite episode to date, Misfits explores the ramifications of Curtis’ most-unusual ability, which seems to be more trouble than it’s worth.
So we’re here, ten years later, at the final season of a show that nobody really expected to soar.
You don’t maintain your status as television’s premier drama by being safe. Downton Abbey was better than this. It needs to be again.