‘The Brilliant Book of Doctor Who 2012’ book review
More wittily ingenious than any mainstream TV tie-in book has a right to be, this is the Doctor Who annual we always wanted from our childhoods.
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More wittily ingenious than any mainstream TV tie-in book has a right to be, this is the Doctor Who annual we always wanted from our childhoods.
It’s hard to recall an episode of Merlin that has been more compelling to watch, or one whose ramifications on the overall story will be felt more.
When it comes down to it, how much you enjoy Series 6 is down to what you believe Who actually is.
Friedrich the Nazi-hunter’s got Curtis’ old timey-wimey power, he’s got a knife, and he’s got a plan: let’s kill Hitler. What could possibly go wrong?
An atmospheric pre-credit sequence set the tone for a tense episode chock full of jumps and scares.
Secrets is a contender for being the most unsettling episode of the series so far – and the most compelling.
Leaning heavily on the Steven Spielberg movie Catch Me If You Can for its visual capturing of the early 1960s, Pan Am follows the lives of four air hostesses working for the titular airline.
Trapped in the mother of all causal loops, Simon is calmly facing his SuperHoodie destiny, but it’s a road paved with oddballs. Oddballs like Peter.
Viewed purely as a drama, this six-part serial for children filmed entirely on location in London in 1968 is risible as best. As a document of a halcyon time now long past, it’s enthralling.
After the events of A Servant of Two Masters, resulting in a confrontation with ‘old Merlin’, Morgana now fears her mortal enemy more than ever.