‘The Fades’: Episode 4 review
With Paul in a comatose condition in a hospital bed, things have never looked bleaker for Neil and his dwindling band of unascended ghost-spotting, apocalypse-forecasting heroes.
With Paul in a comatose condition in a hospital bed, things have never looked bleaker for Neil and his dwindling band of unascended ghost-spotting, apocalypse-forecasting heroes.
It’s getting personal, very personal, as the Gavrik plot arc begins to unravel in the penultimate episode of Spooks.
Sky1 have been having a good run of original comedy lately and Spy may just be their best effort yet.
Easily the best episode of the series so far, The Wicked Day sees an elaborate feast being held in honour of Prince Arthur’s birthday by the people of Camelot.
It’s cheating the viewer to be so cheesy, because Downton Abbey isn’t just a programme we watch – it’s a programme we love.
After the best part of a year, The Walking Dead is back with all the sweeping elegance, subtle human drama and heart-stopping shocks that made it the finest television series of 2010.
We open with a follow-on from the second season’s cliff-hanger, with Olivia held prisoner in the parallel universe that is waging war against ours.
Philip Glenister returns to BBC One as Harry Venn, a struggling solicitor with an insalubrious past, in this promising four-part thriller from Ronan Bennett and Walter Bernstein.
After a promising premiere, Merlin falls back into some bad habits with this follow-up.
After last week’s slightly slow story, Spooks springs back to form with a relentless pace and one of its finest episodes not just in this series, but its entire ten year run.