Following last week’s dark and intense instalment, things are a little lighter here. In a nicely written episode with a likeable new character, George faces up to some family issues, while the police begin to circle Mitchell.
The spectre of one of the great modern fictional TV doctors looms over Monroe like Banquo’s ghost haunting Macbeth, but Monroe isn’t House remade for the UK; it’s Cracker remade in a hospital – and that’s a good thing.
Like Cook and Tony before him, each Skins generation’s alpha male character has always had a darker, more vulnerable side, but the first 15 minutes of Nick’s centric episode suggest a character to whom keeping up appearances matters above all else.
Reuniting Kavanagh QC writer Peter Moffat and one of the stars of his BAFTA-winning series Criminal Justice, Maxine Peake, BBC One’s sleek new legal drama is clearly aiming high as the latest in the channel’s production line of quality courtroom action.
Featuring an impressive 18 tracks from the first few episodes of Glee’s second season, currently airing on E4, the main thing that stands out about Volume 4 in relation to the show’s previous albums is just how much variety has been included, in terms of both style and of which characters’ songs have been chosen.
Whilst the previous instalment of ITV1’s supernatural drama Marchlands stoked up the scares and chills, Episode 4 holds back on the jumps but fires up the mystery behind the titular house.
After the exciting climax of last week’s episode, ‘The Longest Day’ sees things very much stripped back with a superb bottle episode. Nobody has to use their supernatural powers, but that doesn’t mean that nobody bares their fang.
If last week’s episode of Sky1’s sunshine-fuelled new drama was about a woman disrupting the lives of men, then this week’s was most definitely about how men disrupt one another, despite their “friendship”.
Since 2002, spy drama Spooks has consistently ranked among the best the BBC has to offer, blending high-octane action with unnervingly topical storylines – but can it keep up the pace?
On Wednesday, BAFTA hosted a ‘masterclass’ talk by UK design duo Momoco, creators of title sequences for the likes of Misfits, Luther and Eleventh Hour, as well as the films Hard Candy and Alien vs Predator.