‘Sherlock’: Series 2 soundtrack album review
As Sherlock became more ambitious and complex in its second series, so David Arnold and Michael Price’s score rose to the challenge of matching the drama of the Great Detective.
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As Sherlock became more ambitious and complex in its second series, so David Arnold and Michael Price’s score rose to the challenge of matching the drama of the Great Detective.
Sherlock could strangle a tune out of the violin, but what would the updated detective make of composers David Arnold and Michael Price’s soundtrack to his adventures?
Let’s not waste Time: the soundtrack to Doctor Who‘s sixth series is, without a Vashta Nerada’s shadow of a doubt, composer Murray Gold’s finest work on the series to date. Soaring choral pieces, intimate emotional moments, dark and foreboding notes of what is to come; it’s a score that emulates the variety and grandeur of … >
There’s a good reason why 2010’s ‘A Christmas Carol’ is the first Doctor Who episode to get an entire soundtrack release all to itself, with composer Murray Gold’s music to the festive special up there with the best of his work for the show.
As television drama soundtracks go, composer Richard Wells’ Being Human score is startlingly different from most.
Featuring an impressive 18 tracks from the first few episodes of Glee’s second season, currently airing on E4, the main thing that stands out about Volume 4 in relation to the show’s previous albums is just how much variety has been included, in terms of both style and of which characters’ songs have been chosen.