As we return to Camelot, the killer Queen’s nocturnal activities continue. Accosted by Pervical while leaving the castle, she spins another heartbreaking tale of missing Elyan and wishing to walk in the old town. Unbeknownst to her, Merlin and Arthur are watching her latest rendezvous with Morgana, and Merlin somewhat rashly promises to help free Gwen from the witches’ thrall.
It is Gaius magical knowledge that now comes to bear, as he hypothesises that Gwen’s situation cannot be resolved simply and that there is no medical solution. Instead, Merlin must seek the advice of the ancient Dochraid before setting off with Arthur on a perilous journey. Our hero goes before cadaverous creature as Emrys, not revealing his true identity, and thus sparking Morgana to action too.
In this third episode grappling with the problem of evil Gwen, we have jumped on slightly in time and it is a positive move. With her betrayal now evident, Arthur willingly listens to both Merlin and Gaius for advice and, despite some reservations, is convinced to fight fire with fire as once again he’s prepared to resort to magic. While still somewhat hypocritical, he is at least seeking a magical solution to a magical problem this time rather than creating one.
Merlin’s encounter with the Dochraid is thrilling to watch, not least for the return of the wonderful Maureen Carr, who reprises her role from last year’s ‘Lancelot du Lac’. The vile and untrustworthy creature is no less formidable for her lack of eyesight, and Merlin resorts to some rather extreme measures to get the information he requires showing a little of the steel he displayed when dispatching Agravaine last year.
Writer Richard McBrien, responsible for this series’ excellent ‘The Disir’, provides a script that is much lighter in places and possibly demands a greater suspension of disbelief than usual for its climax. Some more ardent fans will probably be outraged at the lengths the young wizard goes to in order to conceal his true nature, but Merlin has always had a strong vein of comedy mixed in with the drama. The script does leave a couple of questions unanswered though, and there are elements we hope will be picked up later on.
This might not have been the wisest episode to follow the announcement that the current series will be the last and it is a testament to all involved, particularly Colin Morgan, that they still manage to sell the drama amid such absurdity.
‘With All My Heart’ has far more going on than just the ‘puppet queen’ as Mordred receives strong focus too. His involvement serves as a solid reintroduction to a character that has been lurking in the background and both highlights his situation and its contrast to Merlin’s. There are definite hints of Mordred’s important role still to come and Alexander Valhos remains brilliantly enigmatic throughout.
Airs at 8pm on Saturday 1 December 2012 on BBC One.
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