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‘The Honourable Woman’ Episode 1: ‘The Empty Chair’ review
Three years after the sometimes preposterous, frequently gory, entirely entertaining The Shadow Line, writer and director Hugo Blick is back with another satisfyingly noir-ish thriller: lighter on the operatic excess than its predecessor, but no less compelling – or less blood-spattered. Yet whereas The Shadow Line was a London immorality tale about criminals and corrupt … >