‘Doctor Who’: ‘The Power of Three’ spoiler-free review
It’s a bold attempt at viewing the roles of the characters from a different angle, but it’s one that comes too late in the lives of Amy and Rory.
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It’s a bold attempt at viewing the roles of the characters from a different angle, but it’s one that comes too late in the lives of Amy and Rory.
Mathew Horne is a lot of fun in all of his scenes and it is a shame the writers did not capitalise on his casting by writing more scenes for him.
It’s appropriate that A Town Called Mercy is a mixture of the good, the bad and the ugly. Unfortunately, the latter two outweigh the former.
Who’d have thought watching Benedict Cumberbatch shouting about horses and fire extinguishers would be so compelling?
This isn’t going to be anyone’s favourite episode of Doctor Who by a long-shot, but it is a fine stand-alone instalment that’s raised above mediocrity by its filmic feel.
Given their track record, you would think Sinbad and the rest of the Providence would be more cautious about offering strangers a ride.
‘It’s quite ridiculous,’ the Doctor says at one point during this supercharged, Jurassic Park-meets-Alien-meets-Carry On Cleo romp. ‘Also: brilliant.’ He’s right on both counts. Dinosaurs on a Spaceship is possibly the most preposterous episode of Doctor Who since the days when Tom Baker proposed a talking cabbage as his new companion; yet it’s easily the … >
Although it can’t quite decide whether it’s a sanitised version of The Fades or simply Twilight-meets-Byker Grove, Wolfblood is a lot of fun.
Watching Parade’s End is like getting stuck into a lovely big slice of Victoria Sponge. If only life were all tea and cake for Christopher Tietjens…
Such a resolutely downbeat conclusion is admirable, but the poor dialogue renders it wholly unsatisfying.