‘Person of Interest’: Episode 1 review
Based on a screenplay developed by J. J. Abrams and Jonathan Nolan, Person of Interest aspires to be complex, but ultimately fails to be so.
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Based on a screenplay developed by J. J. Abrams and Jonathan Nolan, Person of Interest aspires to be complex, but ultimately fails to be so.
Despite the pervading gloom, Thirteen Steps Down is certainly watchable, and compelling enough to keep viewers hanging on for the second episode.
It is hard to work out the type of audience Sinbad is aiming itself at.
This latest episode shows off Vexed to its very best; an out of place, out of date yet hilarious oaf of a man alongside a confidently insecure and playfully smart woman.
The latest instalment of Sinbad is somewhat of a conundrum. Not a great deal happens, but it manages to fill its screen time without too much trouble.
A Touch of Cloth is an endless stream of great and (deliberately) bad jokes, puns, sight gags and pratfalls, all played in the best, strictly deadpan traditions of Zucker, Abrahams and Zucker.
BBC Two have got something incredible on their hands, again, and they should have faith in the viewers to enjoy a programme so full of character, life and humour.
Although the finale feels hurried, it does not spoil what is without doubt the best episode of Sinbad yet.
Making The Bill look like In The Night Garden, Jed Mercurio has created one of the finest and most compelling police dramas of recent years. But it’s due to a uniformly strong cast, whose strengths have shown as the series has continued, that his gut-punch plotting and ‘spit & shit’ view of policing have succeeded. … >
Historical accuracy is not a term that was likely ever intended to be associated with Sinbad, and if it was not clear enough already, the latest episode well and truly cements it.