‘Blackout’: Episode 2 review
It becomes apparent that a number of changes have taken place since last week’s opening episode – both in a dramatic context and in the nature of the thriller itself.
Posted
Filed under
It becomes apparent that a number of changes have taken place since last week’s opening episode – both in a dramatic context and in the nature of the thriller itself.
Perhaps the greatest success of BBC One’s Wallander as a series is that, despite its lugubrious lead, it’s not actually a depressing drama to watch.
Primeval has been on a strong run of late, and this episode is the best of the bunch.
Amid the dearth of interesting female detectives onscreen in the post-Prime Suspect era, Olivia Williams’ portrayal of DS Charlie Zailer is refreshing and compelling.
The penultimate episode of Bedlam’s second series goes ever so slightly deeper than the ones that preceded it, with issues of child abuse, murder, family and mystery dominating.
Blimey. When we said last week that we thought things were going to get a lot darker, we didn’t think it’d happen so fast, or so brutally.
After last week’s better-than-average adventure down on a nuclear submarine, Primeval ventures out of its comfort zone once again, as Matt finds himself travelling back to Victorian London to track down a loose raptor.
It’s all about revelations, rediscoveries and dirty secrets in Brightmoor this week, as new resident Scott (musical theatre star Lee Mead) moves into the former Bedlam Heights.
Hit & Miss ends not with a bang but a series of question marks that stretch off into the distance like a row of pylons across a barren moorland landscape.
There’s a pleasing sense of unease that sits with you while watching Line of Duty. Pleasing, because it means that Jed Mercurio’s five-part drama is accomplishing the atmosphere it’s trying to create: an authentic world that bleeds further mistrust with every click of the mouse and every knock on a door. It’s an excellent start … >