‘Dead Boss’: Series 1 Episodes 1 & 2 review
Dead Boss comes across as a concoction of sitcom and murder mystery. There’s a splash of Porridge, a sprinkling of Psychoville and a dollop of Prisoner Cell Block H.
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Dead Boss comes across as a concoction of sitcom and murder mystery. There’s a splash of Porridge, a sprinkling of Psychoville and a dollop of Prisoner Cell Block H.
Following the first episode’s exploits, the adventures at the former Bedlam Heights apartment complex have become a lot more sinister.
Hit & Miss has proved itself to be not only an engrossing thriller with a transgender twist, but a very human story of struggle, of families, of love.
The engrossing emotional honesty of Tennant, McClure and Froggatt make this opening instalment of True Love well worth watching.
With Series 1 ending on such an explosive note, the opening episode of Bedlam’s second series had to impress.
Hit & Miss continues to beguile, maintaining the fine balance between domestic angst, rustic visual poetry and unflinchingly bloody violence.
Billy’s spidery political network extends further this week as he attempts to handle the impending transfer of CW into Shoe Lane.
This series has been far from as strong as previous years, thanks to a group of ‘cut out and keep’ candidates more suited to a stationery cupboard than a spotlight.
The Battle of the Blackwater is one of the biggest events in the series. Would a TV show be able to translate such an epic onto the small screen?
Episode 3 sees Clive’s white ribbon brief return him to the world of halls, gowns and jumped up drinking societies that is Oxford.