‘Fringe’: ‘The Boy Must Live’ review
How Fringe will really end remains something that we can only speculate about.
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How Fringe will really end remains something that we can only speculate about.
This second episode begins in the aftermath of Mercier’s abduction by enemy agents.
Exquisite period detail, decent direction and an oddly appropriate soundtrack offset a lack of actual substance and any real surprises.
Essentially, what we have with Gangster Squad is the gangster genre and its various clichés diluted and boiled down to their purest form.
If it wasn’t clear before that Fringe is approaching its endgame, it definitely is now.
Primeval: New World has work to do, but it’s not without promise.
Ripper Street continues to be tremendously watchable and occasionally even a little surprising.
We’re only in January but it looks like Channel 4 have got one of THE shows of 2013 on their hands.
Director Coky Giedroić handles the action sequences impressively, as well as the softer, romantic moments.
With its blend of compelling storytelling, sumptuous period production values and toe-tapping music, Dancing on the Edge has us hooked.