‘Lovejoy’: The Complete Collection DVD review
Ian McShane’s rogueish antiques dealer in Lovejoy represents one of the decade’s more dated but well-loved comedy-dramas on British TV.
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Ian McShane’s rogueish antiques dealer in Lovejoy represents one of the decade’s more dated but well-loved comedy-dramas on British TV.
From the pen of acclaimed crime writer Anthony Horowitz (Foyle’s War, Collision) comes this sleek five-part psychological legal thriller, broadcast across one week on ITV1 earlier this year.
And so we finally get round to seeing some of Jack’s past that has so curiously been alluded to throughout the series. Not only that, it looks like the genesis of the “miracle” is explained too…
One glance at this recent series looking at the wonders of the human body and you can just picture the TV execs huddled around the desk contemplating a bold ‘event’ documentary delving inside ourselves.
‘Torchwood’s gone,’ Rex tells Vera in the fifth instalment of Miracle Day. ‘It’s just a name, these days.’ Yet for a number of reasons, this is perhaps the most Torchwoodian episode of the series yet.
Hoovering up Emmys and Screen Actor’s Guild awards in the US, Monk has been a consistently strong drama since it launched in 2002 and deserves more fans over here in the UK.
Three weeks in, and the show is avoiding some of the worse gross-out gags that plagued the first episode and is mining a new seam of sentimentality, thanks to that mainstay of teen drama: parent-child relationships.
It would be easy to decry the idea of creating an updated version of 1972’s ‘Day of the Daleks’ with modern CGI as a doomed attempt to polish a turd – too easy, in fact.
In 1931, a young Jewish prosecutor at the central criminal court decided to force Adolf Hitler to appear as a witness at the trial of some brownshirt brutes accused of murdering innocent civilians.
The premise of The Strange World Of Gurney Slade sounds like a 1960’s TV precursor to The Truman Show: a sitcom actor walks off the set in the middle of a live episode only to find that the ‘real world’ is in fact a sitcom.