‘Page Eight’ review
The dilemma of whether to serve the interests of one’s country, one’s loved ones or one’s superiors lies at the heart of David Hare’s one-off spy thriller.
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The dilemma of whether to serve the interests of one’s country, one’s loved ones or one’s superiors lies at the heart of David Hare’s one-off spy thriller.
‘It gets better,’ Jack Harkness remarks, perhaps having viewed the rushes of Episode 7, ‘then it gets worse again.’ If any story is a microcosm of the season as a whole, it’s this one.
Doctor Who returns following an extended summer break to provide us with a viewing alternative to the myriad reality shows that have appeared back in the schedules. And my word, is it good to have the show back!
European police procedurals are very much in vogue at the moment following the surprise success of Denmark’s The Killing, but where this Paris-set series suffers somewhat from a surfeit of characters and plot lines.
This is so immersive a world for the viewer that, after only one episode, we longed to put on a v-neck sweater, grease our hair, and smoke an awful lot of cigarettes.
Written by and starring Simon Bird, Jonny Sweet and Joe Thomas, this new comedy pilot from Channel 4 could be, if we were being lazy, described as The Inbetweeners: 1914.
If you’ve recently seen E4’s comedy drama, Beaver Falls – which looks like Ibsen compared to this – you’ll know the drill.
At some point during the 1980s, Thames Television created an episode of children’s anthology series Dramarama that was so disturbing that we can still vaguely remember it to this day.
There’s a moment in ‘End of the Road’, the latest instalment of the cross-Atlantic sci-fi drama, when Gwen Cooper looks on in befuddlement, clearly not following what’s going on, and utters in frustration, “Bollocks!”.
The body of Spooks with very little of the brains, the first episode of Sky1’s Strike Back: Project Dawn offers much in the way of nudity and action, but little in the way of a compelling narrative.