
‘Appropriate Adult’: Episode 1 review
Appropriate Adult is very far from being light and formulaic, and makes for discomfiting viewing – as it should.
Appropriate Adult is very far from being light and formulaic, and makes for discomfiting viewing – as it should.
‘So… why the hell…? Bollocks. Start again,’ Gwen stutters at the beginning of ‘End of the Road’, and oh, how we wish that we could.
Those of you who have been following this summer’s crop of Doctor Who books may have noticed something of a theme running through them.
Gathered to discuss the runaway BBC Two sitcom Miranda at the Media Guardian Edinburgh International Television Festival 2011 were its stars Miranda Hart and Sarah Hadland.
Thankfully, unlike the re-opener, this week’s Doctor Who can be safely and fully discussed without fear of inadvertently revealing a spoiler or twelve.
After the naked fight scenes and perennial nudity of last week’s episode, the second instalment of Sky1’s Strike Back: Project Dawn reels in some of the more outrageous aspects of the show.
We were worried. We were scared that Steven Moffat had finally overreached himself and that ‘Let’s Kill Hitler’ might be as disappointing as the conclusion of the otherwise majestic ‘A Good Man Goes to War’. We were wrong. Picking up a few hazy summer months after that strangely numbing mid-series finale, a bombardment of instantly … >
Written and directed by David Kane from the novel by Denise Mina, The Field of Blood is a thriller so smothered in nicotinic, 1980s nostalgia it could almost be called ‘Fag-ashes to Fag-ashes’.
Imitating the onscreen title from Doctor Who‘s Series 3 finale (which itself was a BSG nod), the latest installment of its Earthbound spin’-off begins with the words ‘Two Months Later’.
The dilemma of whether to serve the interests of one’s country, one’s loved ones or one’s superiors lies at the heart of David Hare’s one-off spy thriller.