‘Torchwood: Miracle Day’: Episode 5 spoiler-free review
If you’re expecting answers and resolutions after last week’s electric showdown then you may want to recalibrate your expectations.
If you’re expecting answers and resolutions after last week’s electric showdown then you may want to recalibrate your expectations.
It’s a wonder there are still new crimes to cover now that there are exactly 108 (a complicated lab test involving iodine was used to determine this number) variants of the CSI franchise.
Let’s get this out of the way first: the Weeping Angels, though arguably Steven Moffat’s greatest creation, are perhaps the least suitable new Doctor Who monster for use in a novel.
The Arthurian legend is retold once again in the Starz series Camelot. Taking its cue from other recent dramatic reinterpretations of historical tales and myths, this is a dark and gritty version of the legend.
Wow, it’s Eighties week in Torchwood! The fourth instalment of Miracle Day features appearances from ex-’80s movie “stars” C. Thomas Howell and Mare Winningham, whilst there’s another tip of the hat to The A-Team.
Three instalments in and the new series of Torchwood is already suffering from homesickness. Miracle Day has become more mundane than miraculous.
Beaver Falls is the latest comedy from the E4 stable that has previously brought us Skins, The Inbetweeners and Misfits. On the evidence of this first episode, they have another homegrown winner on their hands.
Probably the best of cult 1960s TV producer Irwin Allen’s shows, The Time Tunnel is perhaps best known for its much-lampooned opening title sequence.
Last week’s opening episode of BBC Two’s latest foray into quality original period drama featured a lot of set-up. That’s not to say it was dull – far from it – but at times the exposition threatened to overwhelm.
No, Angela Lansbury fans, it’s not that Beauty And The Beast. But, in its own way, it is a tale as old as time: district attorney city girl falls in love with subterranean lion-human hybrid. We’ve all been there.