One of the most truly entertaining shows of recent years, Spartacus: Blood And Sand is a blood-soaked boob fest from US cable channel Starz (new home to Torchwood) which mixes the best elements of sandals and swords in a gladiatorial arena.
BBC Two’s increasingly fascinating police drama reaches and passes its halfway stage in this episode, yet neither DI Jonah Gabriel (Chiwetel Ejiofor) nor Joseph Bede (Christopher Eccleston) appear much closer to accomplishing their respective goals than they were in the hours after the death of gangster Harvey Wratten.
After two episodes of stories written by new writers to the show, Life On Mars/Ashes To Ashes co-creator Matthew Graham returns to Doctor Who with a two-parter featuring some familiar faces. Question is, will we be asking for a double?
“Cancer is not a gift; cancer is not a passport to a better life.” So says Laura Linney as Cathy, the lead in the US channel Showtime’s new dark sitcom, The Big C. Kinney’s line, in rebuke to some happy-clapping Bible support group members, could also be taken as a rejection of possible preconceptions about this show.
It may seem like sacrilege to some devotees of the late author, but not everything Douglas Adams produced was of the high quality as witnessed in the earlier instalments of The Hitch Hiker’s Guide To The Galaxy.
After two episodes of stories written by new writers to the show, Life On Mars/Ashes To Ashes co-creator Matthew Graham returns to Doctor Who with a two-parter featuring some familiar faces. Question is, will we be asking for a double?
Like the drugs at the heart of the late Harvey Wratton’s empire, The Shadow Line has become addictive in a slow, almost sneaky manner. After an unhurried, take-it-or-leave it start, it has insidiously built up to the point where now, three episodes in, it has become impossible to break free of its grip.
As many of you will know, this is one of the episodes fandom has been awaiting with some internet-beating excitement. The very notion of a Neil Gaiman Doctor Who story seems so perfect that we wonder why it’s taken just so long for this union to happen.
Something that seems to connect a lot of Peter Davison era Doctor Who is some reasonably intelligent, grown-up science fiction, a surprising amount of guest stars, and an equally surprising lack of the Doctor himself.
ITV1’s new female-led detective series, starring Suranne Jones and Lesley Sharp as Rachel Bailey and Janet Scott, detective constables in the Manchester Metropolitan police, promises a great deal but – on the evidence of this opening hour, at least – delivers very little.