‘Doctor Who’: ‘A Good Man Goes To War’ review

In direct contrast to its predecessor, ‘A Good Man Goes To War’ is a stunning, iconic celebration of everything that makes Doctor Who so good, let down by an ending so tepid it’s like finishing the best meal you’ve ever had with a glass of lukewarm orange squash.

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‘Case Histories’: Episode 1 review

The arrival of yet another British crime drama series isn’t necessarily reason to break out a bottle of champagne and smash it against the side of the telly. Happily, Case Histories is more than capable of fighting its corner.

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‘The Shadow Line’: Episode 5 review

Over the course of its first four episodes, The Shadow Line has matured from an overwrought, rather confused melodrama plagued with florid verbosity into one of the BBC’s best thrillers in a very long time. In the fifth instalment, it gets even better.

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‘Doctor Who’: ‘The Almost People’ review

After a promising but ultimately disappointing opening, the concluding episode of this two-part story was not only charged with rescuing the floundering tale of the doppelgangers in the acid-mining monastery, but also leading into the much-hyped mid-series finale.

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‘Angry Boys’: Episode 1 review

Angry Boys stars Sydney-born comedian Chris Lilley (Summer Heights High) as Daniel and Nathan Sims, twin teenage brothers from small-town Australia who first appeared in the mockumentary We Can Be Heroes (transmitted as The Nominees in Britain by FX UK).

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‘The Apprentice’: Series 7 Episode 4 review

Finger tricks, backstabbing and in-fighting. It’s time for… The Apprentice! After a ridiculously long flashback of the series so far, tonight’s episode starts with the traditional phone call from Lord Sugar’s secretary. (Seriously, does that woman never sleep?) This week, the candidates are sent to meet Lord Sugar at the British Museum. Why? Well, we’ll … >

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