‘Doctor Who’: Flesh And Stone review
Frankly, anyone can create an all-powerful monster or villain, one who can’t be killed but kills indiscriminately, one who is big enough and bad enough to be Big Bad enough to be a threat to the entire universe.
Frankly, anyone can create an all-powerful monster or villain, one who can’t be killed but kills indiscriminately, one who is big enough and bad enough to be Big Bad enough to be a threat to the entire universe.
So, just four weeks in, and already it feels like there simply isn’t enough time to stuff in all the dangling storylines that have been hinted at.
Now, this is more like it. After a circling of non-plots for Matt Smith’s opening stories, we hit the ground running with a genuinely scary, gorgeous looking, very grown up, and fiendishly clever Doctor Who adventure.
Your number’s up. It seems that these days, full of CCTV, pin numbers, and DNA being kept on file, it’s time for a new Prisoner.
Some Doctor Who fans can be an odd lot. After having been cast in the wilderness for the best part of two decades, you’d think that they’d be happy that their favourite show had returned.
Almost 90 years ago, the BBC started on its mission to educate, inform, and entertain. Apparently, there was another clause to that manifesto, and that was to produce a new cop show at least once every two months.
The concept of BBC Three’s Being Human is so zeitgeist that it could have been written on the back of a beer mat in the pub behind BBC’s Broadcasting House.
The first era of the rebooted Who has passed. The sound of drums has ceased to be.
When the follow-up series to Life On Mars first aired, it didn’t really make sense.
Caprica may not get the adrenaline pumping like its predecessor Battlestar Galactica, but what it lack in thrills, it more than makes up for with a fascinating exploration and expansion of an already rich mythology.