‘Game of Thrones’: ‘A Man Without Honor’ review
We’re getting into the business end of the second season now, and a lot of characters are having to face up to some hard truths.
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We’re getting into the business end of the second season now, and a lot of characters are having to face up to some hard truths.
Mad Men fans felt a ripple in the Force this week as Betty returned, several dress sizes slimmer and still dieting, but still with an enormous appetite for stirring up trouble.
After 180 episodes, 50 or so deaths, countless affairs, the backstabbing, the bitchiness, the rivalries, the break-ups and reconciliations… it all ends here.
After the last season’s prom episode was so dramatic, most notably because of Kurt’s crowning as “prom queen”, Prom-asaurus had a lot to live up to.
Our favourite mistress of kink, Sadie, continues to be the best thing Lip Service never knew it needed.
Hell on Wheels has epic ambitions and its detailed visual splendour and sweeping, cinematic scale make these old campfire tales worth hearing again.
‘The Scream’ sold last week for $120 million, but the only screams in tonight’s The Apprentice were likely coming from the art community.
Don Draper, omniscient idol of advertising, is starting to age, starting to lose his Midas touch, and starting to show the ultimate weakness of an ad man.
The Old Gods and the New is a particularly focussed episode, with every location packed with action, incident and effective character beats. This is Game of Thrones firing on all cylinders.
With the echoes of Homeland still resonating in the ears, it’s hard to approach Prisoners of War with an entirely open mind.