Last series, in the space of only a couple of episodes, Downton Abbey established itself as the pedigree television brand; so now it’s back on our screens, it feels like normal (silver) service has resumed.
Combining elements from old and new Doctor Who stories with some of the finest writing the show has ever seen, Being Human creator Toby Whithouse has created a compact, concise tale in a carnivalesque hotel from the depth of a nightmare and a carnivorous creature who’s a cousin of the Nimon. The Doctor, Amy and … >
Hypnotically random from the opening credits, Sky Atlantic’s This Is Jinsy treads a fine line between brilliance and absolute idiocy, with highly amusing results.
So, we’ve reached the end. The Miracle is over, death is back and Captain Jack Harkness and Gwen Cooper have managed to avoid its nasty, bony fingers.
Though it was announced in August that the show’s producers had decided to bring Spooks to an end, don’t reach for the tissues just yet.
Being Human creator Toby Whithouse returns to Doctor Who once more with a nightmare hotel, David Walliams as a mole and a couple of shocks up his sleeve. But does it continue the fine run of episodes?
After last week’s opening instalment of Appropriate Adult, which was concerned with the police investigation into the killings of Fred and Rose West, the action shifts for this concluding part.
One of the countless great things about Doctor Who is the way an episode can change in a heartbeat, ending up a million miles away from where it started.
‘This is a good idea with bad possibilities,’ one of the principal characters in BBC Three’s new pre-apocalyptic drama The Fades announces at the beginning of this opening episode, and it’s a fair summing up.
Like a chronic drunk stumbling through the streets after kicking-out time, Miracle Day has tripped over its own feet and staggered under its own weight so many times that its final collapse into a heap seemed inevitable.