‘Game of Thrones’: ‘Valar Dohaeris’ review

Ah, Westeros. It’s good to be back.

This first slice of Season 3 is primarily an establishing episode, settling some loose ends from the previous season’s epic climax, while setting up some new threads for the many characters. With so many locations, characters and plots, it’s inevitable that at certain points the show has to slow down and stage a piece-moving episode like this, but Game of Thrones still makes them hugely enjoyable.

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‘Broadchurch’: Episode 5 review

Well, we can probably now discount Jack Marshall as a suspect. Can’t we?

That’s the thing about Broadchurch: to be certain of anything is to risk being utterly wrong. It’s the dilemma the townspeople face this week as their collective gaze turns on a quiet old man who looks a lot like William Hartnell. The murder of Danny Latimer has stirred the sands of the Jurassic Coast, uncovering not only evidence like high tar cigarettes, but also events that some would rather stay buried.

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‘In the Flesh’: Episode 3 review

You’ll have noticed this already, but In the Flesh has not been about zombies. It’s been a kitchen sink drama, disguised by rotting flesh. The pale skin and the mutated eyes designed to attract your attention as, underneath, the thoroughly human message of the show has played out: the human capacity for love and forgiveness. It just so happens that the restless dead make a great allegory for laying things to rest.

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rings of akhaten

‘Doctor Who’: ‘The Rings Of Akhaten’ spoiler-free review

Songs. Since the Doctor returned in 2005 they’ve formed a quiet coda in the background of his lives, and not simply because of composer Murray Gold’s bombastic injection of sound. ‘I sang a song and the Daleks ran away’, Nine told Rose. ‘Your song is ending soon’, the Ood warned Ten, and sang him to sleep. And Eleven? Well, he’s played around a lot with a certain Melody lately.

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‘Lightfields’ finale review

Suffolk’s spookiest cottage ends its mysterious journey through time, remorse and fashion as Lightfields comes to its inevitable conclusion in the fifth episode. But the finale ends on a more subdued and quiet note than expected.

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‘Evil Dead’ (2013) movie review

Sam Raimi’s The Evil Dead is a seminal piece of cinema. It’s also not especially good.

That might be a controversial opinion, but when people rave about the Evil Dead series, they often refer more to the two sequels, which were far more overtly fun and funny than the original, which was a genre defining piece, and hugely influential, but in hindsight doesn’t play quite as well itself.

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