‘Glee’: ‘Goodbye’ review
After a disappointing second season, Glee’s third run has been a satisfying turnaround for the show.
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After a disappointing second season, Glee’s third run has been a satisfying turnaround for the show.
Secrets are rife in the latest instalment of Peter Moffat’s polished legal drama Silk.
The real powerful drama of the episode comes from the inspired tough-guy/gal pairing of Coach Bieste and Puck.
After 180 episodes, 50 or so deaths, countless affairs, the backstabbing, the bitchiness, the rivalries, the break-ups and reconciliations… it all ends here.
Don Draper, omniscient idol of advertising, is starting to age, starting to lose his Midas touch, and starting to show the ultimate weakness of an ad man.
Set in the world of corporate law, Suits is a smart and stylish American import that has been doing the numbers for Dave.
As a reintroduction to such a sprawling, complex series, this is pretty near perfect.
Aided by Jennifer Lawrence’s lead performance, the writers don’t lose any of the psychological nuances that helped make the novel so compelling.
Making History is the grimmest episode since the series opener, but whereas Eve of the War was a work of flesh and violence, this is one living in the shadow of looming horror.
Tom Grieves’ A Spectre Calls – even the title is perfect – is a thing of glory: an episode that constantly treads the line between creepy and funny.