Billy’s spidery political network extends further this week as he attempts to handle the impending transfer of CW into Shoe Lane. Cue more surreptitious meet ups over stiff drinks in the various seedy bars that seem to litter themselves usefully around Middle Temple. Ironically, this is the very vice Billy uses to try and prevent CW’s relocation by suggesting quietly to Martha that she is an alcoholic. Refusing to have her judgement clouded, Martha declines to hear anything further.
Martha battles the book as she takes on a case defending a man accused of negligence when in charge of transporting prisoners; one of whom dies. Going beyond her call of duty it falls to Martha, with support from new pupil Daniel, to counter the post mortem diagnosis given by a pathologist of dubious character.
Daniel tries to settle in, but finds himself immediately at a disadvantage with Clive who resents not having the final say in his selection. On the other hand, Martha and Daniel hit it off and the makings of a new triangle begin to show as Clive appears unannounced at Martha’s flat to find Daniel already there. For work, of course…
Clive tackles several of his own demons; cue a revisiting of some nasty school bullying in his early childhood. One of the most intriguing facets of Clive’s character is his incredible ability to tap into deep seated emotion without warning. It leaves the audience extremely wary, as it’s never quite clear when he is telling the truth or simply spinning a yarn to get what he wants: a dangerous quality in a barrister.
As the issue with his misconduct refuses to go away, things begin to look increasingly bleak when a letter arrives from the Bar Standards Association. What with that, and his increasingly risky relationship with George Duggan, it becomes increasingly clear why he didn’t make silk. He is several steps behind Martha in both morals and maturity, thus it is Martha who must try and dig him out of his various holes.
Writer Peter Moffat continues to show off his ability to create credible characters. Small details like Martha’s client helping her up the stairs with her case of notes indicate how finely attuned Moffat is to building realism, even in his supporting characters.
With the transfer of CW still a question mark – she calls a rain check hours before the meeting with the chambers – next week promises answers to some interesting questions. It also promises Billy will plough deeper into the political net before he gets his comeuppance, which is sure to be dramatic.
Aired at 9pm on Tuesday 5th June 2012 on BBC One.
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