
‘Game of Thrones’: ‘The Ghost of Harrenhal’ review
Well, that was ballsy, wasn’t it? Not just the death of would-be King Renly Baratheon, but the decision to place such a shocking and unexpected event at the very opening of this fifth episode.
Well, that was ballsy, wasn’t it? Not just the death of would-be King Renly Baratheon, but the decision to place such a shocking and unexpected event at the very opening of this fifth episode.
Fear not though, viewers! Lord Sugar and his eager entrepreneurs are here to kick-start the economy with… fake tan and clockwork insects?
Glee has been coasting on camp and lightly entertaining for a while now, so it’s a pleasant surprise to see the show’s return to poignancy.
We think we’re closer to solving one major mystery of this series, namely, why we’re not enjoying it nearly as much as we think we should be.
Ironically, given its foundation in numerical sequences, Touch leads with the heart rather than the head.
One thing that Homeland viewers have learned over the last few months is that the unexpected comes as standard. With one show left to go, anything is still possible.
That Jason Isaacs mostly succeeds in making the humourless and hurting Britten enjoyable and engrossing is testament to his quality as an actor and innate congeniality.
Through much of the first twenty minutes it’s business as usual. It’s Cat’s birthday and Sam (Heather Peace) continues to love and support her girlfriend.
With Duane the victim of last week’s fitness folly, the remaining candidates were ordered to come up with gourmet food to sell on the streets of Edinburgh.
Dance with Somebody has a strong mix of the great musical and emotional moments that made Glee’s first year so iconic, giving us one of the best episodes of Season 3 so far.