‘Glee’: ‘Saturday Night Glee-ver’ review
After wallowing in the background, with little but a half-hearted love interest storyline to show for this entire season, it is great to see more of Amber Riley’s Mercedes.
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After wallowing in the background, with little but a half-hearted love interest storyline to show for this entire season, it is great to see more of Amber Riley’s Mercedes.
One can only assume that ITV1’s Titanic was scripted in-between sips of a G&T on the Downton Abbey set.
Based on the novel by The Notebook author Nicholas Sparks, The Lucky One takes a story that is hyper-relevant and drowns it in stultifying sentimentality and a soap-appropriate soundtrack.
‘You’re the sleaziest bastards I’ve ever met,’ a member of the disciplinary committee tells Eddy, Roxanne and Walter. Absolutely right – and it’s magnifique to have them back.
This week’s Apprentice task was fitness based, which was apt, as this was an episode that exercised every single one of the muscles you use to cringe.
Alcatraz is improving, but still feels like the work of a talented JJ Abrams wannabe rather than the man himself.
This exploration of the wonder and tragedy of serendipity is one of most poignant, affecting series that the US has produced in a long time.
The strongest scenes yet again take place on the Iron Islands, where Alfie Allen’s Theon Greyjoy is making a serious claim to being Season 2’s MVP.
Among its myriad virtues, Homeland is up there with the best when it comes to onscreen swearing.
It was large, grand and – with so many talented names on board – hyped up to be pretty much unsinkable, but ITV1’s Titanic seems to have foundered on the iceberg of a fragmented and repetitive narrative.