The Old Gods and the New is a particularly focussed episode, with every location packed with action, incident and effective character beats. This is Game of Thrones firing on all cylinders.
With the echoes of Homeland still resonating in the ears, it’s hard to approach Prisoners of War with an entirely open mind.
Surely it’s now time to call an end to the seemingly interminable onslaught that is the horror genre’s fascination with the ‘found-footage’ style of camcorder film-making.
Whoa. We need a minute. Partly to catch our breath but mostly to let the last couple of hours of relentless, riveting television sink in.
Series 4 was always going to be tricky, with the loss of three principal cast members, but surprisingly it’s not the replacement characters that are the problem.
One Doctor Who story that has deserved rather more acclaim than it has been accustomed to getting is 1988’s The Happiness Patrol.
Well, that was ballsy, wasn’t it? Not just the death of would-be King Renly Baratheon, but the decision to place such a shocking and unexpected event at the very opening of this fifth episode.
Fear not though, viewers! Lord Sugar and his eager entrepreneurs are here to kick-start the economy with… fake tan and clockwork insects?
Crunched skulls, blood splatters and dirty jokes abound in Cuba’s first ever zom-com.
Glee has been coasting on camp and lightly entertaining for a while now, so it’s a pleasant surprise to see the show’s return to poignancy.