Articles by:

Rob Smedley

Alan Moore: ‘Fashion Beast’ graphic novel review

These days, there’s a viscous reverence for everything that Alan Moore creates; an effusive prayer when the bearded Old God stirs to grant us mortals new words and/or hurl lightning bolts at DC’s affronts to the creator rights. In the eyes of many, Alan Moore can do no wrong.

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‘Peaky Blinders’: Episode 3 review

As Mel Brooks fans already know, ‘It’s good to be the king’. And despite living over 60 years before the movie History of the World: Part 1, Tommy Shelby (Cillian Murphy) knows it too. Shame he’s building his power on such a massive foundation of enemies. Keep at it though, Tommy – it makes for great drama.

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‘Music from the Iron Man Trilogy’ soundtrack review

You don’t have a costly suit of cutting-edge armour, you don’t have a robot butler, and chances are you don’t even have a cool beard like Tony Stark (though really, if you do, good job sir). But fortunately lacking any of the aforementioned items doesn’t preclude you from enjoying the same music that Iron Man himself jets around to.

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‘What Remains’ finale review

Tony Basgallop is a talented man. And a cruel writer. Indeed, we might never forgive him for luring us into his dramatic attic three Sundays ago. Because as we’ve been stumbling through the shadows trying to guess the murderer, he’s been busy sharpening his final script into an arrowhead; all so he can fire it right into our heart.

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‘Luther’ soundtrack album review

Check under your bed before you put your headphones on, because here comes the Luther soundtrack. Or, to use its unwieldy full name, ‘Idris Elba presents Luther: Songs and Score from Series 1, 2 & 3′. Whatever you decide to call it, it’s music that DCI John Luther and his (now very wet) coat have solved crimes to.

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‘What Remains’: Episode 3 review

Old habits die hard. But addictions? No such luck. They last with you. And both are indulged this week by the residents of the house that Cash in the Attic forgot, as no one is able to give up on their fixations, no matter how much trouble it may land them in.

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‘What Remains’: Episode 2 review

These days you’ve got to be careful when using the ‘B’ word around crime dramas. It’s not a term that should be deployed frivolously, but at the risk of getting some people in a tizz we’ll use it here: What Remains is getting pleasingly Broadchurchy.

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