Terry Pratchett’s ‘Truckers’ DVD review
Truckers – based on the book by Terry Pratchett – is a 1992 CITV claymation series from Cosgrove Hall.
Truckers – based on the book by Terry Pratchett – is a 1992 CITV claymation series from Cosgrove Hall.
Long before Brangelina, Posh ‘n’ Becks, Beyoncé & Jay-Z, and, er, Peter & Jordan, there was Richard Burton & Elizabeth Taylor. While a simple VMA twerk can send the world into a Twitter frenzy these days, Liz Taylor was breaking so many marriage vows back in her day that even the Pope called her out. #scandal indeed.
There’s something about The Big Bang Theory that makes it pure gold to crash on the couch with at the end of a tough day at work. US TV comedy has not been this addictive since Friends vanished from our screens a decade ago.
Pick any classic horror movie from the ‘70s or ‘80s and it’s more than likely there’s already been a horrible remake to shatter legacies and fanboys’ dreams alike.
Very few have bucked that trend (Zack Snyder’s amped-up Dawn of the Dead and Franck Khalfoun’s Maniac come to mind); the latest of these reboots is one of the most beloved films of the video nasty era, Sam Raimi’s The Evil Dead. On which side of the coin will this one land?
Top of the Lake: the BBC’s latest drama event this summer – although perhaps smothered by the return of Luther and the never-ending The White Queen – is an altogether beautiful creature.
You can usually tell a horror film reviewer from the slightly wretched, overwhelmingly weary look they carry off.
With battles lines drawn last season, Ellen Parsons is back in the legal ring with her one time mentor Patty Hewes for a final round. With reputations at stake, the theme tune lyrics never seemed more appropriate: “When I get through with you, there won’t be anything left.”
Judging by the enthusiastic tweets and reviews, the nation has taken The Returned to its heart in a way we Brits tend not to usually do when it comes to things en Français.
Defiance’s feature-length opening episode starts promisingly. It looks great. The money is on screen and put to good storytelling use. The CG from here-on in is variable in quality though.
Medieval zombie flicks, eh? Other than the obvious (Ash fighting against the Army of Darkness in Sam Raimi’s trilogy finale), most would be hard-pressed to name anything like a good example.