Top 10 gangsters in film and TV
To celebrate the premiere of National Geographic Channel’s new Banged Up Abroad series, we’re taking a look at the gangsters – both fictional and real – who’ve reigned supreme throughout pop culture.
To celebrate the premiere of National Geographic Channel’s new Banged Up Abroad series, we’re taking a look at the gangsters – both fictional and real – who’ve reigned supreme throughout pop culture.
Tara FitzGerald reprises her role as Dr Eve Lockhart from Waking The Dead this Autumn in The Body Farm, BBC One’s new six-part crime drama series.
The Event has all the ingredients needed for a successful run: a strong story that never feels as if it’s being made up on the hoof, complex characterisation and a sense of mystery.
To celebrate the release of all-star all-action movie Fast & Furious 5 on DVD and Blu-ray, we’ve teamed up with KX Energy and Universal Pictures (UK) to give away a Fast & Furious DVD boxset (containing all 5 movies) plus a case of KX Energy drink (containing 24 cans)! But that’s not all – we’ve … >
In a 2007 interview, Scream franchise director Wes Craven said, ‘Horror is very close to comedy. It’s a lot of talking about the forbidden in a way that is entertaining and the timing is very similar.’
From the pen of acclaimed crime writer Anthony Horowitz (Foyle’s War, Collision) comes this sleek five-part psychological legal thriller, broadcast across one week on ITV1 earlier this year.
Shooting has begun on the eighth and final series of BBC One con drama Hustle, with guest stars set to include former EastEnders and Spandau Ballet star Martin Kemp.
A group photo of all the dwarves from Peter Jackson’s upcoming The Hobbit movies has been released, featuring Aidan Turner (Being Human) and Richard Armitage (Spooks) in costume.
Nobody ever said that cop shows had to be realistic to be effective. Okay, they did, and in some cases they were almost certainly right, but the maxim doesn’t apply to BBC One’s Luther.
It’s difficult to imagine how a Doctor Who story inspired by Terry Gilliam’s Brazil and J.G. Ballard’s High Rise could possibly work in the over-lit, under-financed confines of the BBC during the 1980s. It should come as no surprise, then, that it doesn’t.